NEW YEARS EVE PROGRAMING
Hamburg Gig
Paul's New Years Eve show
Decca Audition
Dance Tonight Duet
More Decca
THE BEATLES - JOHN, PAUL, GEORGE AND RINGO. Eldorado... This is it, finally a truly Fabulous 24/7 online radio station geared to the serious Beatle appreciator. Deep cuts Beatles and related selected to delight surprise and revitalize the fab faithful. Tune in and TURN IT UP!
Thursday, November 03, 2022
Ho-ho-ho... high time to compile a fat MACCAZINE edition, dedicated to the jolliest of seasons: Christmastime. In this new edition we shine our lights on many interesting post-Beatles’ McCartney music, facts, memorabilia, paraphernalia, and special appearances relating to the Holidays season. We allowed ourselves to take some side paths, we’ll show you an extensive Xmas discography and we have a separate 50-years-timeline. Anyway, you’ll find this issue fully filled - like stuffed Christmas stockings.
Tuesday, September 06, 2022
Here’s the official press release detailing the forthcoming “Revolver” reissue and its track listings. …
Revolver Album Presented in New Stereo and Dolby Atmos Mixes + Original Mono Mix;
Expanded with Never Before Released Session Recordings and Demos + “Paperback Writer” and “Rain” EP
– AVAILABLE EVERYWHERE OCTOBER 28, 2022 –
London – September 7, 2022 – Revolver: The Beatles’ 1966 album that changed everything. Spinning popular music off its axis and ushering in a vibrant new era of experimental, avant-garde sonic psychedelia, Revolver brought about a cultural sea change and marked an important turn in The Beatles’ own creative evolution. With Revolver, John Lennon, Paul McCartney, George Harrison, and Ringo Starr set sail together across a new musical sea.
On October 28, Revolver will be released worldwide in a range of beautifully presented, newly mixed and expanded Special Edition packages by Apple Corps Ltd./Capitol/UMe. The Special Edition’s new stereo and Dolby Atmos mixes of the album’s opening track “Taxman” make their digital release debuts with today’s announcement and preorder launch.
Preorder / pre-save The Beatles’ Revolver Special Edition: https://TheBeatles.lnk.to/Revolver2022PR
Watch the Revolver Special Edition trailer:
(23) The Beatles REVOLVER Special Editions – Official Trailer – YouTube
Stream “Taxman” (New stereo mix & Dolby Atmos mix): https://TheBeatles.lnk.to/Taxman2022MixPR
The Revolver album’s 14 tracks have been newly mixed by producer Giles Martin and engineer Sam Okell in stereo and Dolby Atmos, and the album’s original mono mix is sourced from its 1966 mono master tape. Revolver’s sweeping new Special Edition follows the universally acclaimed remixed and expanded Special Editions of Sgt. Pepper’s Lonely Hearts Club Band (2017), The BEATLES (‘White Album’) (2018), Abbey Road (2019), and Let It Be (2021).
All the new Revolver releases feature the album’s new stereo mix, sourced directly from the original four-track master tapes. The audio is brought forth in stunning clarity with the help of cutting edge de-mixing technology developed by the award-winning sound team led by Emile de la Rey at Peter Jackson’s WingNut Films Productions Ltd. The physical and digital Super Deluxe collections also feature the album’s original mono mix, 28 early takes from the sessions and three home demos, and a four-track EP with new stereo mixes and remastered original mono mixes for “Paperback Writer” and “Rain”. The album’s new Dolby Atmos mix will be released digitally.
Revolver Special Edition (Super Deluxe): 63 tracks
* Digital Audio Collection (stereo & hi res 96kHz/24-bit stereo + mono + Dolby Atmos)
* 5CD (stereo & mono audio) with 100-page hardbound book in a 12.56” x 12.36” slipcase
* 4LP+7-inch EP (stereo & mono audio) on half-speed mastered 180-gram vinyl with 100-page hardbound book in a 12.56” x 12.36” slipcase
• DISC 1: Revolver (New stereo mix): 14 tracks
• DISCS 2 & 3: Sessions (stereo & mono): 31 tracks
• DISC 4: Revolver (Original mono master): 14 tracks
• DISC 5: Revolver EP: 4 tracks
o “Paperback Writer” & “Rain” (New stereo mixes & Original mono mixes remastered)
Revolver Special Edition (Deluxe): 29 tracks
* 2CD in digipak with a 40-page booklet abridged from the Super Deluxe book
• DISC 1: Revolver (New stereo mix): 14 tracks
• DISC 2: Sessions highlights + “Paperback Writer” & “Rain” (New stereo mixes): 15 tracks
Revolver Special Edition (Standard): 14 tracks
* Digital (New album mix in stereo & hi res 96kHz/24-bit stereo + new Dolby Atmos mix)
* 1CD in digipak (New stereo mix)
* 1LP (New stereo mix) on half-speed mastered 180-gram vinyl
* Limited Edition 1LP vinyl picture disc (New stereo mix) illustrated with the album cover art
Across all the configurations, Revolver’s Special Edition showcases the GRAMMY-winning original album artwork created by The Beatles’ longtime friend, German bassist and artist Klaus Voormann. The Super Deluxe CD and vinyl collections’ beautiful book features Paul McCartney’s foreword; an introduction by Giles Martin; a thoughtful, enlightening essay by Questlove; and insightful chapters and detailed track notes by Beatles historian, author, and radio producer Kevin Howlett. The book is illustrated with rare and previously unpublished photos, never before published images of handwritten lyrics, tape boxes, and recording sheets, as well as 1966 print ads and extracts from Voormann’s graphic novel, birth of an icon: REVOLVER.
Following the December 1965 release of their groundbreaking album, Rubber Soul, and after wrapping up that year’s tour dates, a late decision to cancel shooting plans for a third Beatles film, A Talent For Loving, would have a significant effect on the creation of Revolver. The time allocated for filming and recording songs for a soundtrack was removed from the band’s schedule, allowing the group to take a four-month break before the Revolver recording sessions began. “One thing’s for sure,” John said a few weeks before the band’s return to the studio, “the next LP is going to be very different.”
On April 6, 1966, The Beatles gathered in Studio Three at EMI Studios (now called Abbey Road Studios) for their first Revolver recording session. With their producer George Martin flanked by recording engineer Geoff Emerick and technical engineer Ken Townsend, they went in blazing, starting with “Tomorrow Never Knows”. John’s ethereal vocals (fed from his mic through a rotating Leslie speaker), innovative tape loops – including Paul saying ‘ah, ah, ah, ah’, which when sped up produced a sound similar to a seagull’s screech – converge with Ringo’s thunderous drum pattern, George’s tamboura drone, and a backwards guitar solo. “Tomorrow Never Knows” propelled The Beatles and popular music into exciting new terrain. In an interview before Revolver’s August 5, 1966 release, Paul explained to NME, “We did it because I, for one, am sick of doing sounds that people can claim to have heard before.” Revolver’s Special Edition also features The Beatles’ first take of “Tomorrow Never Knows” from the April 6 session and a mono mix that was issued on a small number of records before the LP was recut with the correct version.
The next day, The Beatles returned to Studio Three, completed most of their “Tomorrow Never Knows” recording, and started work on the first version of “Got To Get You Into My Life”. As heard on the Special Edition’s Sessions One, this recording sounds very different from the released track. Revolver’s Special Edition also spotlights two more stages of the finished track’s evolution: an unreleased mono mix and a special mix highlighting the overdubs of three trumpets and two tenor saxophones.
One of George’s most important songwriting influences is heard in “Love You To”. The previous year, his deepening interest in Indian music and learning how to play sitar had brought him together with Ravi Shankar, who became his close friend and occasional musical collaborator. The Beatles began recording “Love You To” in Studio Two on April 11, the third anniversary of the UK release of “From Me To You”. Taken with the whole of Revolver, the short three-year span between these songs illuminates the band’s astonishing creative progression. “It was one of the first tunes I wrote for sitar,” George later recalled. “This was the first song where I consciously tried to use the sitar and tabla on the basic track.” With George on sitar and vocals, Paul on tamboura and vocal harmony, and university student Anil Bhagwat on tabla, the song’s intricate arrangement began to take shape over several takes. Overdubs included an additional harmony vocal by Paul, omitted from the released version but now faded up in a mix of Take 7. Revolver’s Special Edition also features Take 1 and a previously undocumented and only recently discovered rehearsal for the song with George playing sitar and Paul on tamboura.
Between April 13 and 16 in Studios Two and Three, The Beatles recorded their chart-topping “Paperback Writer” single (with layered harmonies, riffing guitars, and Paul’s booming bass lines) and its B-side “Rain” (achieved with tape machines slowed down for the recording and mixing processes). Prior to the single’s release on June 10 (May 30 in the U.S.), The Beatles spent a couple of days away from recording to shoot several promotional films for both songs with director Michael Lindsay-Hogg, who would later direct the Let It Be film. In addition to the songs’ new stereo mixes and original mono mixes, Revolver’s Special Edition features “Paperback Writer” Takes 1 and 2 – Backing track and two versions of “Rain” Take 5: one at the actual speed The Beatles played it and the other, a slowed down evolutionary mix used to create the master tape.
The album’s opening track, “Taxman”, was recorded across three Studio Two sessions in April and May. One of three songs on the album by George, in “Taxman” he expresses his frustration with the UK’s ‘super-rich’ tax rate at the time (90%), with a vocal wink to the “Batman” TV theme song. In a 12-hour session on April 20, The Beatles recorded and mixed the first version of “And Your Bird Can Sing” (for this song, the Special Edition features two Version One/Take 2 recordings and Version Two’s Take 5), then began recording “Taxman”. They returned to the song the next day, laying down George’s foundational guitar, Paul’s bass and his dynamic, raga-style guitar solo, and Ringo’s drums and cowbell. Revolver’s Special Edition also features Take 11, with falsetto backing vocals by John and Paul with different words from the released version.
“Yellow Submarine” was recorded on May 26 and June 1 in Studios Three and Two, respectively. The iconic, sunny rite of singalong passage for children everywhere and a favorite for the young-at-heart began quite differently than it finished. Parts 1 and 2 of the Special Edition’s songwriting work tape for “Yellow Submarine” reveal the song’s evolution from a rather sad verse sung by John over acoustic guitar – “In the town where I was born / No one cared, no one cared…” – to its adaptation by John and Paul to suit the jollier subject matter of the chorus. Revolver’s Special Edition also includes “Yellow Submarine” Take 4 and highlighted sound effects (a complex and merry sonic seascape, including Mal Evans’ sand-shoveling and Brian Jones’ glass-clinking) for listeners to journey with The Beatles through the song’s progression. “We were really starting to find ourselves in the studio,” Ringo explained later. “The songs got more interesting, so with that the effects got more interesting.”
The Beatles’ final Revolver recording session took place in Studio Two on the evening of June 21, 1966 into the wee hours of June 22, just one day before the band traveled to Munich to start their international summer tour. The lyrics for “She Said She Said” drew upon the memory of a disorienting day of misadventure The Beatles had experienced in Los Angeles. Having received George’s help to create a whole new song from some unfinished fragments, John led the group through the rehearsals and recording while the clock ticked away the last remaining session time. Revolver’s Special Edition also features John’s home demo for the song and Take 15 – Backing track rehearsal, with its introductory speech revealing convivial banter between The Beatles as they worked out the arrangement (later praised by composer and conductor Leonard Bernstein as “remarkable” with “real inventions”).
By 4am on June 22, The Beatles finished “She Said She Said”, wrapping up their Revolver recording sessions. The album’s final mono and stereo mixes were completed that evening, and the next day The Beatles were once again off and running on tour. They would next return to Abbey Road in November 1966 to begin recording Sgt. Pepper’s Lonely Hearts Club Band.
Released on August 5, 1966, Revolver spent seven weeks at number one on the UK albums chart, and a double A-side single with “Eleanor Rigby” and “Yellow Submarine” topped the UK singles chart for four weeks in August and September. In the U.S., Capitol released an 11-track version of Revolver, which spent six weeks at number one on Billboard’s albums chart. “I’m Only Sleeping”, “And Your Bird Can Sing”, and “Doctor Robert” had been previously plucked from the sessions for Capitol’s North American release of the Yesterday And Today compilation album in June. That album’s sleeve was originally printed with the infamous “butcher cover” before pre-release controversy resulted in Capitol recalling and re-covering well over one million mono and stereo LPs with an innocuous photo of The Beatles gathered around a trunk.
REVOLVER SPECIAL EDITION
Tracklists
SUPER DELUXE [5CD + 100-page hardbound book in slipcase | digital audio collection]
CD1: Revolver (New stereo mix)
1: Taxman
2: Eleanor Rigby
3: I’m Only Sleeping
4: Love You To
5: Here, There And Everywhere
6: Yellow Submarine
7: She Said She Said
8: Good Day Sunshine
9: And Your Bird Can Sing
10: For No One
11: Doctor Robert
12: I Want To Tell You
13: Got To Get You Into My Life
14: Tomorrow Never Knows
CD2: Sessions One
1: Tomorrow Never Knows (Take 1)
2: Tomorrow Never Knows (Mono mix RM 11)
3: Got To Get You Into My Life (First version) – Take 5
4: Got To Get You Into My Life (Second version) – Unnumbered mix – mono
5: Got To Get You Into My Life (Second version) – Take 8
6: Love You To (Take 1) – mono
7: Love You To (Unnumbered rehearsal) – mono
8: Love You To (Take 7)
9: Paperback Writer (Takes 1 and 2) – Backing track – mono
10: Rain (Take 5 – Actual speed)
11: Rain (Take 5 – Slowed down for master tape)
12: Doctor Robert (Take 7)
13: And Your Bird Can Sing (First version) – Take 2
14: And Your Bird Can Sing (First version) – Take 2 (giggling)
CD3: Sessions Two
1: And Your Bird Can Sing (Second version) – Take 5
2: Taxman (Take 11)
3: I’m Only Sleeping (Rehearsal fragment) – mono
4: I’m Only Sleeping (Take 2) – mono
5: I’m Only Sleeping (Take 5) – mono
6: I’m Only Sleeping (Mono mix RM1)
7: Eleanor Rigby (Speech before Take 2)
8: Eleanor Rigby (Take 2)
9: For No One (Take 10) – Backing track
10: Yellow Submarine (Songwriting work tape – Part 1) – mono
11: Yellow Submarine (Songwriting work tape – Part 2) – mono
12: Yellow Submarine (Take 4 before sound effects)
13: Yellow Submarine (Highlighted sound effects)
14: I Want To Tell You (Speech and Take 4)
15: Here, There And Everywhere (Take 6)
16: She Said She Said (John’s demo) – mono
17: She Said She Said (Take 15) – Backing track rehearsal
CD4: Revolver (Original mono master)
Album track list (same as above)
CD5: Revolver EP
1: Paperback Writer (New stereo mix)
2: Rain (New stereo mix)
3: Paperback Writer (Original mono mix remastered)
4: Rain (Original mono mix remastered)
SUPER DELUXE VINYL [limited edition 4LP+7-inch EP + 100-page hardbound book in slipcase]
LP One: Revolver (New stereo mix)
Side 1
1: Taxman
2: Eleanor Rigby
3: I’m Only Sleeping
4: Love You To
5: Here, There And Everywhere
6: Yellow Submarine
7: She Said She Said
Side 2
1: Good Day Sunshine
2: And Your Bird Can Sing
3: For No One
4: Doctor Robert
5: I Want To Tell You
6: Got To Get You Into My Life
7: Tomorrow Never Knows
LP Two: Sessions One
Side 1
1: Tomorrow Never Knows (Take 1)
2: Tomorrow Never Knows (Mono mix RM 11)
3: Got To Get You Into My Life (First version) – Take 5
4: Got To Get You Into My Life (Second version) – Unnumbered mix – mono
5: Got To Get You Into My Life (Second version) – Take 8
6: Love You To (Take 1) – mono
7: Love You To (Unnumbered rehearsal) – mono
Side 2
1: Love You To (Take 7)
2: Paperback Writer (Takes 1 and 2) – Backing track – mono
3: Rain (Take 5 – Actual speed)
4: Rain (Take 5 – Slowed down for master tape)
5: Doctor Robert (Take 7)
6: And Your Bird Can Sing (First version) – Take 2
7: And Your Bird Can Sing (First version) – Take 2 (giggling)
LP Three: Sessions Two
Side 1
1: And Your Bird Can Sing (Second version) – Take 5
2: Taxman (Take 11)
3: I’m Only Sleeping (Rehearsal fragment) – mono
4: I’m Only Sleeping (Take 2) – mono
5: I’m Only Sleeping (Take 5) – mono
6: I’m Only Sleeping (Mono mix RM1)
7: Eleanor Rigby (Speech before Take 2)
8: Eleanor Rigby (Take 2)
Side 2
1: For No One (Take 10) – Backing track
2: Yellow Submarine (Songwriting work tape – Part 1) – mono
3: Yellow Submarine (Songwriting work tape – Part 2) – mono
4: Yellow Submarine (Take 4 before sound effects)
5: Yellow Submarine (Highlighted sound effects)
6: I Want To Tell You (Speech and Take 4)
7: Here, There And Everywhere (Take 6)
8: She Said She Said (John’s demo) – mono
9: She Said She Said (Take 15) – Backing track rehearsal
LP Four: Revolver (Original mono master)
Album tracklist (same as above)
Revolver EP (7-inch vinyl)
Side 1
1: Paperback Writer (New stereo mix)
2: Rain (New stereo mix)
Side 2
1: Paperback Writer (Original mono mix remastered)
2: Rain (Original mono mix remastered)
DELUXE [2CD in digipak with 40-page booklet]
CD 1: Revolver (New stereo mix)
CD 2: Sessions
1: Paperback Writer (New stereo mix)
2: Rain (New stereo mix)
3: Tomorrow Never Knows (Take 1)
4: Got To Get You Into My Life (Early mix)
5: Love You To (Take 7)
6: Doctor Robert (Take 7)
7: And Your Bird Can Sing (First version) Take 2
8: Taxman (Take 11)
9: I’m Only Sleeping (Take 2) – mono
10: Eleanor Rigby (Take 2)
11: For No One (Take 10) – Backing track
12: Yellow Submarine (Take 4 before sound effects)
13: I Want To Tell You (Speech and Take 4)
14: Here, There And Everywhere (Take 6)
15: She Said She Said (Take 15) – Backing track rehearsal
STANDARD [1CD | digital | 1LP vinyl | limited edition 1LP picture disc vinyl]
Revolver (New stereo mix)
Wednesday, August 17, 2022
.jpg)
Wednesday, April 27, 2022
Friday, February 18, 2022
|
NORTH
AMERICAN TOUR 2022 Thursday 28 April - Spokane,WA - Spokane Arena Monday 2 May - Seattle,WA - Climate Pledge Arena Tuesday 3 May - Seattle,WA - Climate Pledge Arena Friday 6 May - Oakland,CA - Oakland Arena Friday 13 May - Los Angeles,CA - SoFi Stadium Tuesday 17 May - Fort Worth,TX - Dickies Arena Saturday 21 May - Winston Salem,NC - Truist Field Wednesday 25 May - Hollywood,FL - Hard Rock Live Saturday 28 May - Orlando,FL - Camping World Stadium Tuesday 31 May - Knoxville,TN - Thompson Boling Arena Saturday 4 June - Syracuse,NY - Carrier Dome Tuesday 7 June - Boston,MA - Fenway Park Sunday 12 June - Baltimore,MD - Oriole Park Thursday 16 June - East Rutherford,NJ- Met Life Stadium |
Wednesday, February 09, 2022
THE BEATLES
AND INDIA
DOCUMENTARY TO STREAM
EXCLUSIVELY ON BRITBOX IN NORTH AMERICA STARTING FEBRUARY 15, 2022
~SILVA SCREEN RECORDS
RELEASES COMPANION ALBUM THE BEATLES AND INDIA: SONGS INSPIRED BY THE FILM~
“When I first heard Indian
music, I just couldn’t really believe that it was so great, and the more I
heard of it, the more I liked it. It just got bigger and bigger, like a
snowball”.
-George Harrison
New York NY
(January 27, 2022) —Post summer of love, in 1968 the world’s most popular rock
and roll band, The Beatles had achieved mass fame and fortune yet were
searching for deeper meaning in their lives. Under the spiritual guidance of
Indian guru Maharishi Mahesh Yogi, The Beatles took a trip to Rishikesh,
India to study Transcendental Meditation® and set
out on a path of deep enlightenment that would change the world.
Slated for release on February 15 via BritBox in North America,
the streaming service from BBC Studios and ITV, the award-winning feature
documentary, The Beatles And India (Silva Screen Productions,
Renoir Pictures) examines how Indian music and culture shaped the music of
John, Paul, George and Ringo and in turn, explores how The Beatles served
as ambassadors of this pioneering World music sound and cultural movement.
Drawing together an expansive archive of footage including
contemporaneous locale shooting in India, recordings, photographs, and
compelling first-hand interviews, The Beatles And India exhaustively
documents this East meets West touchstone in pop culture history. Purloining
inspiration from Ajoy Bose’s book Across The Universe - The Beatles
In India, the documentary is produced by British Indian music entrepreneur Reynold
D’Silva and directed by Bose (his directorial debut) and
cultural researcher Pete Compton. The Beatles And India has been awarded
Best Film Audience Choice and Best Music at the 2021 UK Asian Film Festival
“Tongues On Fire.”
The Beatles’ were first introduced to Indian music while
filming their 1965 film, Help!, which featured the Indian
musicians in a restaurant scene. George Harrison would become a lifelong
impassioned devotee of Indian music. He would soon buy his
first sitar, befriend and study under sitar master Ravi Shankar and
employ the instrument to revolutionary effect linking the worlds of pop music
with Indian music on the Beatles song, “Norwegian Wood,” which appears
on their Rubber Soul album. That song marked the group, and particularly
Harrison’s full on immersion into Indian music, a raga rock sound heard in
The Beatles songs, “Tomorrow Never Knows” and “Love You To” (Revolver)
“Within You Without You” (Sgt. Pepper) and “The Inner Light (B-side to
the “Lady Madonna” single)”
In early
July 1966, while returning from shows in the Philippines, The Beatles
made a quick stopover in New Delhi, India, marking their first trip to the
country. Less than two years later, in February 1968, the group would return
for an extended sojourn at Maharishi Mahesh Yogi’s ashram in Rishikesh, India
where they would take a training course in Transcendental Meditation®. Their search for spiritual enlightenment would both shape their
thinking and values and indelibly color the sounds of their expanding musical
palette.
Silva Screen Records, in tandem with the documentary
release on BritBox in North America, presents a 19-song companion album:
The Beatles And India: Songs Inspired by The Film, featuring
wondrous interpretations of The Beatles songbook, blending traditional
and contemporary Indian influences, as recorded and performed by Indian artists
Anoushka Shankar (Ravi Shankar's daughter), Vishal Dadlani, Kissnuka, Benny
Dayal, Dhruv Ghanekar, Karsh Kale, and Soulmate. Many of the songs featured on
the album--“Mother Nature’s Son,” “Dear Prudence,” “Sexy Sadie,” Back in the
USSR,” “I’m So Tired,” “Julia,” I Will,” “The Continuing Story Of Bungalow
Bill,” Everybody’s Got Something to Hide (Except for Me and My Monkey),” “Child
of Nature,” (later re-written and recorded by John Lennon in his solo career as
“Jealous Guy”)--were written during The Beatles 1968 extended stay in
Rishikesh, India and most would feature on the group’s 1968 double-album, The
Beatles, better known as “The White Album.”
The Beatles And India is an unforgettable audio-visual
experience that spotlights the legacy of that historic visit, chronicling The
Beatles’ crucial role as avatars of a musical movement inspiring newfound
societal and cultural awareness, weaving the fabric of pop and Indian music into
a unified force of positivity and spiritual exploration.
About Silva Screen Music Group:
The Silva Screen Music Group is a London based
independent record company, which is home to one of the world’s leading film
and television specialist soundtrack labels, Silva Screen Records. Alternative
rock label So Recordings is also part of the group and includes bands such as
Placebo and Enter Shikari. Founded by music devotee Reynold D’Silva in
1986, the group has a catalog of over 800 titles and in excess of 10,000 master
recordings, with offices in New York, Paris and Mumbai.
About BritBox:
BritBox
is a digital video subscription service offering the largest collection of
British TV in the U.S. and Canada. Created by two British content
powerhouses—BBC Studios, the subsidiary arm of the BBC, and ITV, the UK’s
biggest commercial broadcaster—the service features iconic favorites, exclusive
premieres, and current series and soaps—most available within 24 hours after
their UK premiere. BritBox also offers expert curation and playlists that
enable fans to easily find programs they know and discover new favorites via
the web, mobile, tablet and connected TVs.
Track
listing:
- Tomorrow Never Knows – Kiss Nuka
- Mother Nature's Son - Karsh Kale / Benny Dayal
- Gimme Some Truth – Soulmate
- Across The Universe - Tejas / Mali
- Everybody's Got Something To Hide (Except Me And My
Monkey) - Rohan Rajadhyaksha / Warren Mendonsa
- I Will - Shibani Dandekar / Neil Mukherjee
- Julia - Dhruv Ghanekar
- Child Of Nature - Anupam Roy
- The Inner Light - Anoushka Shankar / Karsh Kale
- The Continuing Story Of Bungalow Bill - Raaga Trippin
- Back In The USSR - Karsh Kale / Farhan Ahktar
- I'm So Tired - Lisa Mishra / Warren Mendonsa
- Sexy Sadie - Siddharth Basrur / Neil Mukherjee
- Martha My Dear - Nikhil D'Souza
- Norwegian Wood (This Bird Has Flown) - Parekh &
Singh
- Revolution - Vishal Dadlani / Warren Mendonsa
- Love You To - Dhruv Ghanekar
- Dear Prudence - Karsh Kale / Monica Dogra
- India, India - Nikhil D'Souza
Saturday, January 15, 2022
Demixing
The Beatles Star Club Tapes next?
Peter Jackson on ‘The Beatles: Get Back’ and How He Got Around the Band Trying to Hide Their Private Conversations
Peter Jackson
- The challenges of using the audio from the ‘60s and how it was originally recorded on a nagra tape recorder in mono.
- How they investigated the technology called demixing which allows a mono track to be split up into their individual tracks.
- How he had some people in New Zealand develop machine learning which allowed them to really get into the audio channels.
- How The Beatles deliberately tried to drown out the audio when they were discussing certain subjects, but with the machine learning the editors could get past that.
Subscribe to:
Posts (Atom)